Son of Saul, Laszlo Nemes
Son of Saul is a brilliant example of what image can do without words. Sure, there’s some dialogue in Laszlo Nemes’ first feature film (which is an unbelievable fact), but the image is king in this movie. Over 90 percent of the movie has the frame filled with actor Géza Röhrig’s face or the back of his neck, making sure that we see the horrors of the Holocaust through his eyes. But the film isn’t actually about the specifics of the Holocaust, instead focusing on the very personal story of Saul’s decision to get a boy’s body buried, even though the boy isn’t even his real son. (Daniel S Levine)
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